Of all the history on daily life, no book offers more practical insight into the daily lives of Colonists.

The Bible says, "Out of the mouths of babes..." Perhaps the same is true "For the eyes/ears of babes..."

Truly excellent. In all my searching through so many standard old history books, I could not find answers to the questions this book resolved.

Best of all, our kids love it!

A really fun, well orgainized book. My 6 and 9 year olds loved it and so did I (Mom). We have been back to it many times, looking at particular sections. I am now ordering other titles in the series.

I highly recommend this book. My children, 6 and 4 years old, could easily put themselves into the very clearly described settings. They got a real feel for what life was like in colonial days. It was fun to read - made for GREAT family time!

Jacquie D'Alessandro is an enchanting new author, one to watch! Summers and D'Alessandro both offer lively, amusing tales. A good beach read.

I found Naked in New England by Jacquie D'Alessandro a breath of fresh air! Very funny throughout the story. Architect Ryan Monroe has just landed a big project that could sky rocket his career. He needs quiet and seclusion to work on the plans for this project so he borrows his friends vacation cabin while his friend, Dave, is on his honeymoon. Unfortunately, Dave's bride Carmen, has hired an interior decorator to redecorate the cabin as a surprise wedding gift for Dave. The interior decorator, Lynne Waterford, has already moved into the cabin when Ryan arrives. Ryan and Lynne are instantly attracted to each other but both have their careers as a priority and not getting involved! Lynne's friend, Killer, is a riotously funny character. All in all the book is funny and highly recommended to all those who enjoy romantic comedy.

Both books in this DUETS are completely adorable. Funny, innovative and a darned good time. I read them both at one sitting. Don't miss this volume.

THIS IS A TOUCHING AND SENSITIVE PORTRAYAL OF THE LIVES OF FOUR YOUNG GIRLS LIVING WITH THEIR MOTHER WHEN THEIR FATHER GOES TO WAR.IT TAKES PLACE DURING THE AMERICAN CIVIL WAR AND IS A HEART WARMING EXPERIENCE. DESPITE ALL THE STUGGLES THE MARCH FAMILY HAS TO BYPASS TO MAKE ENDS MEET,THEY SHOW NOTHING BUT ENDURING COMPASSION FOR ONE ANOTHER AND THIS DISPLAYS AN IDEAL FAMILY. THIS IS AN UNFORGETTABLE STORY THAT COULD NOT HAVE BEEN PUT TOGETHER ANY BETTER.IT IS TRULY INSPIRATIONAL AND WILL STAY WITH ME FOR LIFE. NO MATTER WHAT IS TAKEN FROM ME, MY MEMORY WILL ALWAYS REMAIN AND SO WILL MY HEART.

LITTLE WOMEN was absolutely wonderful! I would suggest it to anyone.

Little Women is a long book, throughly describing the March sisters' life during the Civil War. Louisa May Alcott has an excellent way of bringing the girls' real personalities to life, even 130 years later!!!! Little Women is a riveting book that propels the reader back in time to the Victorian era with its anti-woman tendencies. Even at the ripe old age of 11 or 12, this book will never leave you. Take my advice: man or woman, boy or girl, this should be one book you read in your lifetime.

This goes for any of the gazetters. These books are indispensable. I have them for many states and refer to them constantly when traveling. I photograph lighthouses and landscapes. They have the lighthouses marked and many tiny roads. I've used the one in Northern California to navigate through the deep forests on logging roads to get to the ocean and never have had an error. If I find myself in error it has always been my mistake in reading the map not the map. They are the perfect detail for the size package. I also use the Topo 4.0 Wow! I don't carry a laptop in the field though.

If you are visiting Maine and want to explore, this is the only reference possible. It is updated every year to show washed out roads, backwoods detours and detail that is essential to getting in and out of the Northern Wilderness.

The Maine Atlas and Gazetteer is a must-have book if you are going to accompany Henry David Thoreau on his three trips through the Maine woods during the nineteenth century. This way, I was there following the Penobscot , crossing streams, travelling large and small ponds, going up falls and down, stopping at tiny 'villages." This is really an exciting trip. Wish I could have been there back then.

This map and guide covers lights in both MA and NH. In June of 2000 I used this map to visit Lighthouses in MA & NH. This map was very useful. On one side is a map pointing out the locations. On the other side there are details for each individual light such as: directions, hours, and phone numbers. I am from Michigan so I was not familiar with New England at all. Some of these lights were hard to find even with the map because some roads are not clearly marked. But I did find everything I was looking for. The price of these maps is an incredible bargain. Some people buy two of them so they can hang one on the wall to display the watercolor images and get another to use.

It made it very easy to find where the lighthouses are located and a nice article on each one.

This was a great resource in locating lighthouses - compact, yet gives specific directions on which lighthouses could be visited and how to get there. Very nice layout, design, pictures, etc.

Excellent! Great selection of trails with a variety of terrain. This guide book provides more pertinent trail information than any other I've read. Particularly helpful is the trail contour plots as well as overlaying trail lines onto accurate topo-maps. The authors writing style is unique causing me to actually read the book cover to cover.

This book has a lot of great info for both seasoned riders and the beginner. The maps, trail directions and descriptions of the rides are just the start. I have rolled over the MT. Agamenticus (Mount A) Pg. 236 trails for years and the author really hits the mark. I can't wait to hit the rest of the trails.

This is the finest mountain biking guide I've ever read. It gives great information about trails of all abilities, plus tips on local attractions. This type of information is good to all types of mountain bikers, from rabid racers to families on day trips. Along with some of the premier trails in Maine and New Hampshire, such as in Acadia National Park, it gives descriptions of trails off the beaten path, such as that through Jefferson Notch in the White Mountains of New Hampshire. Mr. Fitzhenry also provides local histories of the areas visited (which could be a book in itself) as well as great directions and trail descriptions. This book is good for local New Englanders and those from "away", because Bob did such a good job of finding trails throughout the two states. I highly recommend it.

This book is the result of a three-way collaboration between a scientist, a philanthropist and artist dedicated to producing a diorama depicting 300 years of New England's natural and cultural history.

The work, started in the late 1920, captures the essence of the Harvard Forest approach to environmental science, in which a solid understanding of the landscape history provides a basis for interpretation and conservation of nature.

Lifelike and detailed, the dioramas' historical and ecological approach remains relevant today as it becomes more apparent that changes in nature can only be assessed through long-term perspectives.

Many people do not realize that Harvard University has its own forest in New England. The forest has been a source of study for silviculture since its founding in 1907 for almost 100 years.

In the late 1920s, Harvard professor Richard T. Fisher joined with a philanthropist, Dr. Ernest G. Stillman, and talented artisans in the studio of Guernsey and Pitman in Harvard Square to develop a remarkable series of dioramas to capture conservation issues for future generations of silviculture students to study. These dioramas are the basis for the text and illustrations in this book.

New England was mostly ancient forest when the European settlers arrived. The small Native American population cleared only a modest portion of the forests, and used the game from the forests rather more than the timber. With immigration, New England rapidly became one big farm. So much for the original forests. Next, the New England farms were put out of business by richer, midwestern farms shipping their goods to the east. Within a few decades, new forests arose to cover the temporarily cleared and abandoned fields. With rapid growth in pines, a second wave of clearing occurred about a hundred years ago, leaving the forests to start to regrow again. The current hardwood-dominated forests are a result of this man-driven process. These experiences provide many lessons for understanding the impact that people have on forests, and for suggesting better practices for the future.

In one sequence of seven dioramas depicting the same place over time, you can see the whole historical process take place. I found it fascinating. I recognized in each image places that I had visited in New England. Now I can connect each site to what it represents in terms of environmental circumstances. That is like learning to read nature in the way I can read a book to get a message.

Today, we think ahead further (but probably not yet far enough) to consider the implications of our actions on future generations and other species. These dioramas show the importance of capturing the natural history of an area to begin to draw those lessons.

Another set of dioramas were designed to exemplify the conservation issues in New England forests, including loss of old-growth forests, habitat needs for wildlife, natural losses due to hurricanes, erosion from cutting forests, imported pests that feed on forests, and the impact of natural fires and fighting forest fires.

To me the most fascinating part was in the suggested good principles of forestry management. Each stage of forest growth and regrowth is displayed, along with what needs to be done for each stage. This reminded me of being asked about what to do by a client with very large holdings of forests in Maine a few years ago. If I had known about these dioramas, I could have given much more appropriate and valuable advice. I do feel quite a pang of regret at the missed opportunity, as a result.

The final section of the book shows the detail of how the dioramas were created.

The book also tells you about the history of the Harvard Forest and how to reach the Fisher Museum where the dioramas are displayed. I recommend the visit!

The reference to Bullough's Pond in the title of this review is for the highly regarded book that slightly preceded this one, about the ecological history of a man-made pond in Newton, Massachusetts. If you have not yet read that fine work, you have a real treat ahead of you. Anyone who is interested in understanding the rhythms between humans and nature can learn much from these two books.

Having read these two books, a new question occurs to me. At one time, forest fires were aggressively avoided in New England. The current view is that these are a natural process and should not be so aggressively countered. Where else do our views need to be shifted to reflect the long-term best interests of all?

How should use of forests and water reserves be adjusted to reflect optimum benefits for the next ten generations? How would our use change if this question were stretched to cover twenty generations? Do we even know how to think about these questions? Do we have plans to be able to learn how?

Overcome the presumption that only the here and now is important. What we do here and now is very important, but our decisions need to be much more independent of momentary needs and perspectives.

Perhaps microcosm is not quite the world, Forests Through Time offers a fascinating angle of insight into one aspect of the ecological development of New England. For a wider angle, one reads Bullough's Pond, and for the complete picture of the land in colonial times, Changes in the Land. This however is a fascinating view and well worth perusing.

This book was given to me as a gift from a friend of mine who knows how fanatically in love with my home state I am. I was skeptical, expecting another quaintifying take on how picturesque Vermont supposedly is. Instead, I found a thoughtful, well-researched book, full of discoveries and anecdotes surprising even to a Vermonter whose family has lived in the state for generations. Husher captures what's truly amazing about the state, and any small place really - the accessibility and exhilarating simplicity of its beauty and its history.

This book describes a number of fascinating ordinary places that are tucked around the state of Vermont. What makes the places fascinating is Husher's historical details- -for each place, she tells the story of how the site came to be and what made it famous. Some of the sites, like the Donohue Sea Caves are eons old, while others like the Bread and Puppet Museum were developed only recently. Some are famous, like Champ, the monster of the deep, while others are virtually unknown, like the Fenian Raids of 1866 and 1870.

Although Husher probably didn't intend to make a statement about art, I found the juxtaposition of the state highway rest area art and the Bread and Circus Musuem quite telling. She describes how a group of artists, including some famous ones, in the 1970s created a series of sculptures to be displayed to ordinary people at rest stops. Since this was to be people's art, it was made in ordinary media such as concrete. Funny enough, even though people drive by these creations every day and walk right past them at the rest stops, nobody seems to notice them, and the concrete is rotting away in the elements. Is this a tragedy? For whom? It seems to me that if the art is so unengaging that people don't notice it even when it's placed right in front of their faces, it's not art at all but a sad Emperor's new clothes kind of waste of space. In contrast, other art described in this book, such as the puppets at the Bread and Puppet Circus are so compelling and interesting, that they draw people in to see them in such a far-off corner of the state as Glover. Likewise, the sculpted granite headstones in the Hope Cemetery in Barre were created by artists who work in a medium that would last for generations. That's because they were doing their art on commission, responding to the wishes of their patrons and communicating through their art to their entire community. The abandoned highway art seems more like taunt the audience- -give them something incomprehensible and ugly, but since the audience won't appreciate it anyway, don't bother to make it last.

This is a well-written, relaxing read that takes pleasure in common things. Far from being a guidebook in the usual sense, it guides the reader into a state of mind that helps him view his own world with more interest, even if he never visits Husher's Vermont.

"I may have the body of a weak and feeble woman, but I have th heart and stomach of a King" - Elizabeth I

This quote from Elizabeth I says a lot about this book. Professor Carole Levin examines how Elizabeth I was able to use her role as a woman (where traditionally, the public viewed women as incapable, weak, dependant) to her advantage and at the same time she ruled like a "King". Levin also examined how Elizabeth was so successful in her reign and at the same time, she was not the typical "woman" of her time; she was childless, and unmarried. She portrayed herself as a "Virgin Queen" - as in she was married to her country.

It is important to note that this is not a biography of Elizabeth I but a book that gives a new perspective of Elizabeth I, that helps us to understand the overlapping of politics with gender and sexuality. Levin did an excellent job in using unconventional sources such as gossips, rumors, religious works, diplomatic correspondence that makes it a distinctive scholarly work. This book is also very easy to read, and even if you don't have a substantial backgroup in pre-modern European history, you will not have a problem in reading this book

This is a beautifully researched, well written, thought provoking study of how one of the most interesting and powerful women in history negotiated gender restrictions during her 45 year reign. Not just a standard biography, "Heart and Stomach" looks carefully at Elizabeth's use of gender perceptions and roles to present herself as the great queen that she was. I've used this book as a text in the classroom and I've recommended it to readers and scholars who are interested in all things Renaissance and in women's history. It's always a hit!

Carole Levin's study of Elizabeth I is unprecedented. This study not only gives readers who are unfamiliar with Elizabeth an idea of her life and desires, but it is explicates the problems behind a woman being a monarch in her own right in 16th century England. If one is interested in both English Monarchy and Women's Studies, this study will be enjoyed.

A 1999 revised edition of the 1980 classic by one-time Boston Globe and current Nation architectural critic Jane Kay, this beautiful book is filled with images of buildings and squares tragically allowed to fall into disrepair, destroyed by fire or bulldozed for parking lots and malls. Pictures, maps and photographs are black & white, and are interspersed throughout the book, organized into subjects such as signs, spires, schools, etc. The text is arranged chronologically, and is generally well-written and highly accessible. The author delves into the history, policies and people of various times from 1630 to the present day.

Many of the buildings and areas depicted are truly beautiful, some destroyed as recently as the 1970s, when you'd think people would have known better. Scenes after the fire of November 1872 make you want to cry. I have a fair number of pictorial histories of The Hub, and still found some pictures in here that I hadn't seen elsewhere, and the author's perspective is worthwhile reading.

The book is constructed of high quality paper and concludes with picture credits, a selected bibliography and a good index. It should be of interest to those with some connection to Boston, architecture or history, particularly of the 18th and 19th century.

Boston has a reputation for being something of a Puritanical stick-in-the-mud. It is surprising, then, that it has experimented so vigorously and persistently with its urban design. Some of those experiments - the Back Bay and the Emerald Necklace - we recognize as glittering successes, while others - the creation of Government Center and the Fitzgerald Expressway - are festering failures that the city is only beginning to address today. Of the numerous histories and narratives that this tremendously fertile subject has produced (many of which I've read), the most wide-ranging, elegantly written and well illustrated that I have found is Jane Holtz Kay's Lost Boston. It works equally well as a coffee table book and a curl-up-on-the-couch book.

The creation and evolution of Boston is arranged here chronologically, starting with the first settlements in 1630 and concluding with an epilogue on urban renewal and it's ramifications at the close of the 20th century. Even though it is an accurate history, it tells a great story without becoming dry or academic. The language is descriptive and accessible, introducing major players in the Boston scene, from Charles Bulfinch to James Michael Curley. You also get a wonderful feel not just for the power brokers, but the neighborhoods, people and places that made the city a vibrant place. There is a warmth to Kay's writing, without delving into sentimentality. Because the background history - the day-to-day development that made Boston the Hub of the Universe - is so readable, it helped me understand the context of major events in the city's history: filling of Back Bay, the Great Fire of November 1872 and the razing of the West End in the 1960's. Instead of examining these as isolated events, they are knit together to show the city as a living, evolving organism. It was fascinating to see how Boston reinvented itself after the Fire, to see the creation of Frederick Law Olmstead's Emerald Necklace, only to lose its way, lured by the siren song of renewal.

And throughout are some of the best photographs and period illustrations of old Boston you're likely to ever see. There are the bustling wharfs on Atlantic Avenue, the original Museum of Fine Arts (where the Hancock Tower now stands), and the graceful mansions of Roxbury. There are dozens of examples of the Boston Granite style that dominated the city's architecture before the Great Fire. For me, the most moving photographs were the ones of Adams and Scollay Square and the West End, all of which fell victim to the wrecking ball to make way for Government Center and urban renewal. They themselves serve as simple, eloquent statements for common sense and reason when it comes to grand urban experiments.

And yet, it's an unfinished history. The Big Dig - the largest public works project in American history - is nearing completion, which will bring down the despised Fitzgerald Expressway. The land cleared for that highway will yet again be developed into inhabitable space and add another major chapter in the history of the city's evolution. So as history loops back on itself in Boston, it does so in new and unforeseen ways. In that, Lost Boston serves us well as a history and a speculation on the future of the city.

What a treat to have this updated version of the author's classic history of Boston. The photos still resonate with the sadness of their loss and the beauty of their existence. But this isn't just a coffee table book. It remains the best history of this fascinating old, and new, city. I especially liked the supplement telling what had been saved, what was threatened and what was lost. I bought the first version 20 years ago and have bought the second to give to the next generation in my household to say how cities grow and should grow. A splendid book!